Wednesday, August 27, 2014

PDF Download , by George Orwell

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PDF Download , by George Orwell

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, by George Orwell


, by George Orwell


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, by George Orwell

Product details

File Size: 820 KB

Print Length: 235 pages

Publisher: Penguin; New Ed edition (September 27, 2001)

Publication Date: September 27, 2001

Language: English

ASIN: B002RI9IT2

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Amazon Best Sellers Rank:

#342,762 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I bought this to replace an old paperback copy that was yellowed with age. This is one of my favorite books, which I should have kept in mind when buying a replacement. This edition is clearly POD, without spellcheck or other review of formatting. Every few pages sentences break erratically. The misspellings are generously scattered throughout. There clearly is no attempt to proofread the copy. Buy this ONLY if you have to have a copy and it's the cheapest one available. I'm throwing mine out.

Obviously, Orwell is a great writer. I gave this book one star because of the terrible editing. There were tons of really easy to correct typos, like i's and n's blurring into m's. Come on, it's not like Orwell is a new indie author. You guys couldn't find a better edition? Ridiculous. Amazon should take this one out of circulation.

This is an autobiography of George Orwell, known in real life as Eric Blair, when he spent some time on the streets of Paris and London when he, in his early years (1920s or 30s) was destitute. Then, Blair, who I shall refer to Orwell as his real name, was starting out as a journalism/writer, after World War I (The Great War). Eric Blair doesn't explain how he ended up in this situation of poverty in the first place, but does provide a good account of his life on the streets of Paris and London, and his struggle to survive day by day.It was rough. Blair live hand to mouth, and being among the tramps, beggars, the destitute, he always had to watch his back, for there was always someone out to take his money, clothes, food, anything, at the first chance he gets. Needless to say, Mr. Blair survived and was able to give a clear account.The book is evenly divided between his stints in Paris, then London. He covers Paris first. Paris is pictured as the lap of luxury, fashions, French architecture. I've been there myself, and it is amazing. Deep down below, in the unseen sections, are the workers, the dishwashers, those who do the dirty jobs to keep Paris glittering. Blair worked as a dishwasher and other similar, back breaking jobs at luxurious hotels, where the work was hard, conditions were unsanitary, and the pay was low. He literally had to pawn his clothes, look for the cheapest rooms to rent, and worked sometimes for 18 hours a day, with very little time to sleep. There were tough bosses and tough landlords, and he had to be tight with his money, buying the cheapest, and lowest quality food. Blair did have buddies to team up with, looking out for each other, and being there for the other when he was starving. Survival produces enemies off the streets, but it also produces great friendships. Blair had to take whatever job was available, for one hotel was opening up promising good paying jobs, but there were delays, so one could not depend on any "promises," for anyone.London had it own adventure. Here Blair was traveling from spike (a hostel like place where tramps could spend one and only one night, with strict rules with a jail sentence for violating them) to spike, with a partner named Paddy. Again, there are situations where one smuggles in food and money against the rules, where other tramps steal them, and their clothes. If the tramp complained, he would go to jail. There were religious sponsored hostels, with strict rules also, and this simply tells of the travels of Blair and his buddy, obtaining money and food and shelter for the night.In this book, Orwell/Blair does sympathize with the tramp, where his present situation is not always his fault. These are situations where one loses a job, then his home because he was unable to pay for it, or could never find a job, or many other reasons. This is very similar to today's situations where people are evicted from their homes forcing them to live out on the street or in their cars.This book is a chronicle of what these people go through, and their actions are a result of their desperate attempt simply to survive.

This edition is obviously an OCR'd copy that was published after the work lost copyright protections. There are random omissions, and errors generated from bad kerning (lots of rn's turning into m's, Us in the place of pronouns.) Will Jonson, the copyright holder, seems to have pushed this on-demand edition as a cash grab. Disappointing.The book itself is a fascinating memoir detailing Orwell's struggles, that I would recommend to anyone that enjoys his other works or the memoir genre in general. His biographical sketches of the tramps he meets are rich and wonderful.

Orwell offers an unflinching chronicle of day-to-day realities and hardships at society's lowest levels, written in his usual precise, unsentimental prose. At the baseline he performs an act of reportage---intended to expose and inform, to shake the reading public of the 1930s out of blithe assumptions about the origin and nature of poverty, of both working and destitute varieties. In this he succeeds. His accounts are visceral and direct. The impressions stay with you.In the process---never quite explicitly but always by unmistakable implication---he also makes a case for democratic socialism, one of his well-known lifelong causes. From the vantage of the 21st century his assumptions now ring rather simplistic and one-dimensional. But these shortcomings are forgivable, viewed in the context of the time.Where the book really falls short, however, is in a deceit that Orwell never quite admits. Unlike the real-life characters he depicts, he is in the end a visitor to these milieus, even a voyeur, able at any time to return to his middle-class life in rural England. His pretension to the contrary, regrettably, carries hints of dishonesty, albeit on the margins, and detracts from the power that the book might otherwise have had.Nevertheless a worthwhile read and one not one easily forgotten.

If you like George Orwell or have been to London or Paris or care about poverty, then you'll give this at least four stars. If you fit multiple criteria, than it becomes a five star read.Orwell wrote this on his actual experiences living in squalor (both with and without work) in London and Paris during the 1920's when he was a young man. He talks about the brutal nature of restaurant work in Paris and details the personal pains of hunger on both sides of the English channel.It's an easy read, and parts of it are funny (his reactions particularly). Orwell's descriptions are both vivid and succinct, which is not an easy task. Orwell has a fondness for interesting people, and he writes about their lives and language wonderfully.

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Monday, August 25, 2014

Free Download Human Croquet: A Novel, by Kate Atkinson

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Free Download Human Croquet: A Novel, by Kate Atkinson

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Human Croquet: A Novel, by Kate Atkinson

Human Croquet: A Novel, by Kate Atkinson


Human Croquet: A Novel, by Kate Atkinson


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Human Croquet: A Novel, by Kate Atkinson

Review

“A novel which will dazzle readers for years to come.” ―Hilary Mantel, London Review of Books“Human Croquet offers further proof that Kate Atkinson is off and running in quite a fantastic direction of her own devising.” ―Katharine Weber, The New York Times Book Review“[Kate Atkinson] writes such fluid, sparkling prose that an ingenious plot almost seems too much to ask, but we get it anyway.” ―Salon.com“A literary tour de force.” ―San Francisco Examiner & Chronicle“Intelligent, sympathetic, and terribly funny, this is simply a wonderful book.” ―Kate Tuttle, Boston Book Review“Vivid and intriguing . . . [Human Croquet] fizzes and crackles along.” ―Penelope Lively, The Independent (London)

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About the Author

Kate Atkinson is the author of several novels, including Behind the Scenes at the Museum, winner of the Whitbread Book of the Year, Human Croquet, Emotionally Weird, Not the End of the World, Case Histories, One Good Turn, and Life after Life. She lives in Edinburgh, Scotland.

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Product details

Paperback: 352 pages

Publisher: Picador; First edition (August 21, 1997)

Language: English

ISBN-10: 0312186886

ISBN-13: 978-0312186883

Product Dimensions:

6.5 x 0.9 x 8 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

147 customer reviews

Amazon Best Sellers Rank:

#164,593 in Books (See Top 100 in Books)

This was such an odd book. I started it a few months ago and had to put it aside as it simply didn’t engage me. Then, having finished another of Atkinson's books (When Will There Be Good News) and not wanting to move away from her writing, I picked this one up again, started from the beginning once more, and couldn't put it down.Ostensibly the story of Isobel Fairfax, a young British woman who at an early age, along with her unattractive younger brother, Charles, "loses" her mother. Unlike Charles, Isobel appears to have the ability to slip through time, back to the Elizabethan period, and thus her life becomes this peculiar negotiation of time, space and people. Though the novel has this magic realist/mystical element it’s also a coming-of-age-story, a tale of familial and suburban dysfunction, murder, disappearances, secrets and lies, and an exploration of the ties that bind and tear us apart. The novel takes the reader on a remarkable journey through Isobel's childhood, adolescence and that of her parents and forebears, exposing warts, flaws, mistakes, triumphs and tragedies.Capturing the essence of the 1960s as well as war-time London, the characteristics of class, neighborhoods and the passion and heartbreak of relationships of all kind, this pseudo and quite dark fairy-tale is remarkable. Moving, haunting, at times funny, always strange and yet familiar, the novel shifts points of view from first to third person and a cocky omniscient narrator who through Isobel also functions like a Greek chorus, or a Shakespearian player setting the scene and passing commentary upon what unfolds. The book plays with reader expectations, genre, the notion of secrets, and in doing so examines the minutiae of the everyday, and explores the adult world from a child's point of view and vice versa.All the world and time is Atkinson's stage, and this is certainly an ambitious and clever novel that offers alternative readings of not only scenes, but characters' interpretations of events. What the reader accepts is up to her or him, but nothing is predictable.The prose is simply lovely and some of the ideas expressed are timeless and erudite and have you reaching for a highlighter in order to recall them. This story won't appeal to everyone, and it’s very different in so many ways from Atkinson’s other books, but if you cast aside expectations and go for the ride, it's one you won't forget in a hurry.

After reading my third Kate Atkinson book (her second), it’s now official – Kate Atkinson is my new favorite author. These stories are so rich, so bizarre, so unique, so sad, and yet so hilarious. I found myself wanting to have a pencil and paper handy to jot down many of the humorous quips that seem to flow so effortlessly from her pen. Maybe next time.There are many similar elements between this book and her first, Scenes From a Museum. The story is undoubtedly “British”, features a multitude of characters, is told across multiple generations, and is not a particularly happy read. Actually, the story is a joy, it’s just the predicaments the characters are in are less than ideal.The story revolves around Isobel. She’s about seventeen, rather unattractive, and living sometime in the late 1950s. She lives with her brother Charles and her father Gordon in a house owned by Gordon’s mom, known mainly as “the widow”. Of course, by the time we’re introduced to these characters, “the widow” as already died. But, there are couple of other relatives in the house along with a border who is some sort of traveling salesman. Note there is no Mom. It seems Mom left the family many years ago when Isobel and Charles were very young. There is a step mother, however. Not that this really matters to the kids. Isobel doesn’t have too happy of an existence. The bulk of this story revolves around Isobel’s yearning for her mother. Who was she? Where is she now? Why did she leave us? Most of the grownups don’t care to talk about her mother. Her name is/was Eliza.What author Kate Atkinson does so well in her books, is she moves around in time so we know more of the “whole story”. We’re taken back to when Eliza and Gordon were married and “the widow” was still alive. It is often said that young marrieds shouldn’t live in their mother/mother-in-law’s house. This story is a perfect illustration as to why. So we see the young family along with all the trials and tribulations. We see how/why Eliza left. We’re not surprised. After Eliza leaves, Gordon (the dad) leaves as well. I won’t go into why, nor how, but it seems he might be gone for good as well. So young Isobel and Charles now live with “the widow” and their morbid Aunt Ginny. Talk about a miserable existence. This was the one area of the book where the humor, unfortunately, didn’t quite cover the sadness I was feeling for the children.“The widow” and Aunt Ginny aren’t fun people to be around. I remember one exchange:Eliza: Why don’t we ever have fun in this family?Ginny: “Fun” don’t get the wash done!The family in this story are actual descendants from a clan known as “The Fairfax” family. Author Kate Atkinson begins the book telling the long, sordid history of this clan from centuries ago. It seems as though this family is rather cursed. Not surprisingly, by the time we meet the modern day characters, the curse has not been lifted by any means.I only mention this because there are parts of the book where Isobel experiences strange, out-of-body, and time-travel episodes. They’re small, brief interludes, and we’re inclined to ask “Were these real? Or is Isobel losing her marbles?” There are even episodes where Isobel lives the same day over and over again a few times – each radically different, but each with less than desirable outcomes. Ultimately, the story is so well told that you don’t really care whether these events are real (i.e. existing in some parallel universe) or the result of a bizarre hallucination. I can see where many authors might seriously bumble episodes such as this, yet with Atkinson, everything runs very smoothly, and the fact that these events may or may not have happened is mostly irrelevant.On a final note, there actually is a game called Human Croquet. It’s mostly played like the standard game, only using humans instead of balls that are whacked through hoops, run into each other, and cause destinies to be unfurled in ways unexpected. This book, nor this author, is for everyone, but I imagine many, like myself, would simply love this story.

Because I am a huge fan of Kate Atkinson I decided to read some of her very early work. It was disappointing, especially in comparison with her excellent recent novels. The language was forced for the young characters and the story was sort of hidden beneath it. It shows an interest in time distortion which will come to full fruition in "Life After Life", but it really didn't hold my attention.

Set in the 1960's in the town of Lythe in England, the tale focuses around a girl, Isobel, at the time of her 16th birthday. However, the story travels throughout history at this location, venturing back and forth as pieces of the puzzle of Isobel's past are unveiled. Isobel has found that she slips in time, seeing past events that are all somehow connected to her life. Her mother left their family while she was young, and as we find out, their father abandoned Isobel and her brother Charlie not long after, leaving them in the care of his mother and sister, until finally returning with a new wife. It is clear that the Fairfax family is in decline, and a history shows how they have fallen over time. It is clear that in addition to her family, some of her neighbors also have dark secrets. The truths once discovered are ugly and at times sad, and are mixed with Isobel maturing into a young lady along with some of the conventional horrors of the teenage years, particularly when she relives a particularly traumatic day, each time with a different ending. This book crosses genres, with elements of science fiction (time travel), mystery/suspense, history, and a coming of age story. There is also an underlying theme of Shakespeare and the Forest of Arden. This was an unusual and complex tale with an intriguing approach to storytelling.

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Wednesday, August 20, 2014

Download Affairs of Honor: National Politics in the New Republic

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Review

"A landmark book."—Pauline Maier, Washington Post Book World". . . [A] romp through . . . personal notes and public papers . . . both well-researched and well-written . . . lively and idiosyncratic."—Scott Bernard Nelson, Boston Globe". . . [A] landmark book that demands the attention of everyone with a serious interest in the history of American politics."—Pauline Maier, Washington Post"[A] lively book."—David S. Broder, Washington Post"Admirable and entertaining. . . . Ms. Freeman evaluates the weapons of 'honor defense'—gossip, letters, newspapers and even dueling—and she does so with a vigor befitting the lively political culture of the 1790s."—Bill Kauffman, Wall Street Journal"Affairs of Honor isa romp through the personal notes and public papers of Thomas Jefferson, John Adams, Alexander Hamilton, Aaron Burr, and others who joined forces against the British monarchy and then fought one another about how to replace it. . . . [It] is both well-researched and well-written, providing a read nearly as lively and idiosyncratic as the Founding Fathers themselves."—Scott Bernard Nelson, Boston Globe"[Freeman’s] explanation of the rules by which elite politicians fought is important. It allows a fuller understanding of contemporary political writings and of events such as the Burr-Hamilton duel, the elections of 1796 and 1800, even the 1798 Sedition Act. . . . Because [the book] lets us see the past as contemporaries saw it and imaginatively understand what they did and why, Affairs of Honor is, indeed, a landmark book that demands the attention of everyone with a serious interest in the history of American politics."—Pauline Maier, Washington Post Book World"Freeman’s prose is lively, and she balances entertaining narrative with sharp analysis. The last few years have seen a spate of books about the founding fathers and the early republic: Freeman’s elegant study of honor and politics in the new nation will easily tower over most of them."—Publishers Weekly (starred review)". . . .[H]ard-hitting, fast-paced, comprehensively researched . . . one of the most intelligent and innovative studies in early American political culture. . ."—Andrew Burstein, American Scholar"[An] excellent and thought-provoking new study . . . a masterful command of primary sources . . . [that] reaches out to a general audience."—Marc M. Arkin, The New Criterion"[Freeman] has much to teach political theorists . . . historians [and] other[s] with a[n] . . . interest in how to live . . . [An] excellent book."—Harvey Mansfield, Weekly Standard"Sex-tinged scandals, political mudslinging, sectarian division, tabloid exposes: Bill Clinton may have had a bad time, but the Founding Fathers had it worse. . . . To judge by Freeman’s vivid anecdotes and smart analysis, it’s a wonder the republic survived the Founders. Good reading, especially for students of political culture and early American history."—Kirkus Reviews"Affairs of Honor .. . has much to teach political theorists and American historians, as well as other souls with a merely personal interest in how to live. . . . [An] excellent book."—Harvey Mansfield, Weekly Standard"A landmark revision of political history."—Chronicle of Higher Education"[A] landmark study of Hamilton and the founders."—Jeff Sharlet, Chronicle of Higher Education Winner of the Best Book Award in the field for 2001, sponsored by the Society for Historians of the Early American Republic"Affairs of Honor stunninglytransforms our understanding of the Founding Fathers and their political culture. Joanne Freeman reveals that in their half-Anglicized, half-democratic political culture, early American politicians bound themselves to the aims of reputation, regional loyalty, and, above all, honor. In addition, she brilliantly dissects the roles of gossip, self-vindicating articles and tracts, and discrete hierarchies of power. Duels, she persuades us, were fought to retain an insulted patron’s political alliances as much as to vindicate personal principle. Although alien to our notions of fairness, the actors in Affairs of Honor pursuedpower in ways not altogether different from the realities (and even sleaziness) of today’s partisanship. This dynamic and penetrating work will be debated—and increasingly appreciated—for many years to come."—Bertram Wyatt-Brown, University of Florida, author of Southern Honor: Ethics and Behavior in The Old South"Professor Freeman not only sheds new light on that complex code–cult?–of honor in American eighteenth-century life and politics which made inevitable the Burr-Hamilton duel, but she has also, à propos, written the clearest account to date of the presidential election of 1800, in which Jefferson and Burr tied for first place, causing Jefferson to behave with more than his usual subtlety while imputing, characteristically, bad faith to his rival Burr, who, according to their original agreement, raised not a finger in his own behalf and so behaved honorably. After two centuries, it is nice to know what really went on in that Dark Age when we had no kindly Supreme Court to determine our elections 5–4."—Gore Vidal"Affairs of Honor isa landmark work in the history of our national origins. With considerable style and grace, Freeman shows that the central story line must include such old-fashioned notions as honor and character, and that, in her capable hands, political history is once again alive and well."—Joseph J. Ellis, author of Founding Brothers: The Revolutionary Generation"Affairs of Honor is a scintillating contribution to the recent revival of interest in the political culture of the early Republic. Joanne Freeman sensitively analyzes how matters of personal trust and its evil twin, suspicion, worked to complicate the transition from old patterns of gentry politics to the new modes of organized partisan competition. Vividly written and analytically incisive, Affairs of Honor heralds the debut of an imaginative and perceptive scholar."―Jack Rakove, Coe Professor of History and American Studies, and Professor of Political Science, Stanford University "Affairs of Honor isthe most important book that has been written on the origins of American politics in many, many years. Joanne Freeman’s work is enormously original, and the scholarship is impeccable. This book is a real breakthrough—we’ll never look at politics in this period in the same way."—Jan Lewis, Rutgers University

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From the Back Cover

"Admirable and entertaining." -Bill Kauffman, Wall Street Journal "The book [provides] a read nearly as lively and idiosyncratic as the Founding Fathers themselves." -Scott Bernard Nelson, Boston Globe "A landmark book." -Pauline Maier, Washington Post Book World "The book's virtues are mighty ones. Looking at Hamilton, Burr, and Jefferson through the lens of honor brings a logic to their actions that most histories have heretofore lacked." -New York Times

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Product details

Series: Yale Nota Bene S

Paperback: 384 pages

Publisher: Yale University Press (September 1, 2002)

Language: English

ISBN-10: 0300097557

ISBN-13: 978-0300097559

Product Dimensions:

5.2 x 1 x 7.8 inches

Shipping Weight: 10.7 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

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Amazon Best Sellers Rank:

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Joanne B. Freeman’s Affairs of Honor: National Politics in the New Republic uses the framework of honor culture to explore the underlying motives that drove the founding generation’s decisions during the first three presidencies of the Early Republic. Freedman draws heavily upon social and political history and relies on close readings of the Founders’ own writing in order to reframe the work in a seventeenth and eighteenth century mindset free of twenty-first century biases.Freeman argues that, amid the chaos of the Early Republic, “the culture of honor was a source of stability in this contested landscape” (xv). Honor’s “ethic limited and defined acceptable behavior; its rites and rituals displayed superiority of character through time-honored traditions recognized the world over” (xv). Honor helped shape social relationships in a country without an aristocracy. Freeman defines honor as a public presentation, writing, “Honor was entirely other-directed, determined before the eyes of the world; it did not exist unless bestowed by others. Indeed, a man of honor was defined by the respect that he received in public” (xvi). Freeman structures her book into five case studies examining different aspects of honor. In the first, she uses a close reading of Pennsylvania Senator William Maclay’s public diary to demonstrate how politicians used public perceptions of honor to garner political clout with their constituents. The second case study examines the role of gossip in shaping concepts of honor and how it could challenge or reinforce a person’s public persona. The third case study uses this same methodology to examine what Freeman terms “paper war,” the use of public and private letters, newspaper publications, broadsides, and other written matter to define the limits of honor (105). Freeman’s fourth case study focuses on dueling, the most potent demonstration of honor. Finally, Freeman reinterprets the election of 1800 through the lens of honor in her final case study.In her first case study, Freeman writes of the role of honor in congressional oratory, “Given the importance of reputation, an attack on a man’s honor was the ultimate trump card…When honor was at stake, all else fell by the wayside, for a man’s sense of self and possibly his life were at risk” (28). Despite the usefulness of such an attack, it had its own hazards. As Freeman writes, “An insult to a man’s honor was a dangerous weapon that could explode in one’s face” (29). Those who engaged in too much vitriol or attacked persons of sound reputations might lose face themselves for such a loss of composure. In her second case study, Freeman argues that gossip served as a tool for sizing up political enemies and forming political alliances (66). Gossip relied on honest transmitters of gossip in order to have weight. Freeman writes, “A truthful man could be trusted; a liar was weak, untrustworthy, and inferior – in sum, he was no gentleman. To give the ‘lie direct’ was equivalent to striking a man: it became an immediate justification for a challenge to a duel” (67). Politicians linked their reputation to their political successes and alliances. Freeman writes, “In this highly political realm, an attack on a government measure was an attack on a politician, and an attack on a politician immediately questioned his honor and reputation” (69). This system served to unite politicians in a time before formal political parties. Unlike gossip, paper war posed a greater threat to its wielder as they committed their thoughts to the more permanent medium of print. Freeman writes, "A signed attack bore the clout of its writer’s reputation but risked it by thrusting him into the public eye. Unsigned publications offered the safety of anonymity, but without the authority of a name they had less power. A poor choice of medium could backfire…Hence the ongoing stream of letters from men seeking advice on paper war" (113). The authors sought to present themselves as gentlemen, thus leading to their dilemmas in engaging in print war. Freeman writes, “A gentleman was always true to his word; such was the very definition of gentleman. It was the central importance of truth telling to genteel status that made ‘giving the lie’ an insult grievous enough to demand a duel” (128). More to the point, “Print combatants often adopted the language of the duel” in their publications and counter-publications (132). Duels, naturally, were the purest manifestation of honor, though even they had rules to ensure the honor of combatants. Freeman writes, “…To early national politicians, duels were demonstrations of manner, not marksmanship; they were intricate games of dare and counterdare, ritualized displays of bravery, military prowess, and – above all – willingness to sacrifice one’s life for one’s honor. A man’s response to the threat of gunplay bore far more meaning than the exchange of fire itself” (167). The duelist who accepted a challenge thus proved himself worthy of political leadership (170). Finally, Freeman argues that Aaron Burr’s unwillingness to concede defeat and the political machinations that decided the election of 1800 all resulted from the interplay of these ideas of honor.Freeman bases her study on “thousands of letters, diaries, pamphlets, newspaper essays, and other assorted writings by roughly three hundred national political figures, their families, and friends” (292). Freeman benefited from the support and scholarship of Bertram Wyatt-Brown, author of one of the definitive volumes on honor culture, in her work. Freeman’s methodology borrows from Clifford Geertz’s methodology of cultural anthropology, especially in how she works to recapture the thoughts and emotions of her subjects and eschew twenty-first century understandings of honor culture.

This is a fascinating look at the early republic from almost a purely emotional point of view--specifically, the culture of honor that was intrinsic to gentlemen at the time (but which is pretty damned foreign to most people now). I now know the nuances involved in caning, spitting, and dueling, although I fortunately have little cause to use them in my daily life.I stumbled onto this book while researching something entirely different and was hooked. I'm so glad. For one, it's engaging, and although I'm over the Revolution of 1800 (see further: Election of 2000), Professor Freeman manages to put a new spin on it.Minor quibbles: the organization is a bit on the odd side (this may be a result of the topic itself, which is not particularly linear) and it does drag toward the end, but if you're interested in American history and politics (or American historical politics), I recommend it.

Freeman's survey of early American politics illustrates the discomforting fact that things don't change. When we hear of the bantering, lying, and mischief that occurs in contemporary politics we like to think back to a time when things were different. A time when things were simpler, issues were black and white, and politicians were men of principle and honor. Like, say, those men active in the early American Republic. With the exception of a few practices such as dueling (affairs of honor), antiquated media outlets, and the universal acceptance of "personal reputation as the currency of national politics" (one could now argue that currency is the currency of national politics), politicking hasn't changed much in two hundred years. The author sums it up best with a quotation from the period, "The man of honor does not care if he stinks, but he does care that someone has accused him of stinking."The politics of early America are detailed through the examination events, contemporaneous media, and journals. With this review of the past one fact can be determined over all others; politicians of early America, no matter their party affiliation, financial wealth, or the issues that form there time in office, held their own honor above all else. Given the information provided in the book, Freeman's assertion about "personal reputation" mentioned above is certainly accurate. Honor was the prized possession of any man, but especially that of the politician, due to the social changes that took place at the conclusion of the Revolution. When the war ended, so did the social hierarchical norm that consisted of aristocracy, heritage, land ownership (to a certain extent), and military prestige. Men in early America were left with little else but their reputation from which to hang their hat.The author provides the reader with the information necessary to understand why men were willing to duel at the drop of an insult and how the federal government was able to pass such an overreaching law as the Sedition Act (making it seditious to print libels against the government). After all, it was a mans duty to defend his reputation. While jockeying for position in a new federal government, these men had to balance their reputation, political affiliation, and local personas. It makes for interesting reading no doubt. The book is well written and researched. However, there are several areas that become difficult to follow (due mostly to chronology) and others that seem mundane and repetitive. Otherwise, excellent book.

which reveals early politics method (that are still being used today, but by different means.) This book gave me a completely different picture of what High School History book...etc. gave me of early American leads! This book's digital format leaves much to be desired, and because of this should have cost much less to purchase!!

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Tuesday, August 12, 2014

Ebook Cases in Communication Law

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Ebook Cases in Communication Law

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Cases in Communication Law

Cases in Communication Law


Cases in Communication Law


Ebook Cases in Communication Law

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Cases in Communication Law

About the Author

Paul Siegel is professor of communication at the University of Hartford. He has been teaching course work in media law for over 30 years—at American University, Catholic University, Gallaudet University, George Mason University, Illinois State University, Keene State College, Tulane University, the University of Connecticut, the University of Missouri, and the University of North Carolina. He has also published dozens of book chapters and law review and communication journal articles on various subjects related to communication law. Siegel was the founding executive director of the American Civil Liberties Union of Kansas and Western Missouri.

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Product details

Paperback: 432 pages

Publisher: Rowman & Littlefield Publishers; Fourth edition (May 22, 2014)

Language: English

ISBN-10: 1442226242

ISBN-13: 978-1442226241

Product Dimensions:

6 x 1.1 x 9 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

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