Free Download Human Croquet: A Novel, by Kate Atkinson

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Human Croquet: A Novel, by Kate Atkinson

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Review

“A novel which will dazzle readers for years to come.” ―Hilary Mantel, London Review of Books“Human Croquet offers further proof that Kate Atkinson is off and running in quite a fantastic direction of her own devising.” ―Katharine Weber, The New York Times Book Review“[Kate Atkinson] writes such fluid, sparkling prose that an ingenious plot almost seems too much to ask, but we get it anyway.” ―Salon.com“A literary tour de force.” ―San Francisco Examiner & Chronicle“Intelligent, sympathetic, and terribly funny, this is simply a wonderful book.” ―Kate Tuttle, Boston Book Review“Vivid and intriguing . . . [Human Croquet] fizzes and crackles along.” ―Penelope Lively, The Independent (London)

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About the Author

Kate Atkinson is the author of several novels, including Behind the Scenes at the Museum, winner of the Whitbread Book of the Year, Human Croquet, Emotionally Weird, Not the End of the World, Case Histories, One Good Turn, and Life after Life. She lives in Edinburgh, Scotland.

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Product details

Paperback: 352 pages

Publisher: Picador; First edition (August 21, 1997)

Language: English

ISBN-10: 0312186886

ISBN-13: 978-0312186883

Product Dimensions:

6.5 x 0.9 x 8 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

147 customer reviews

Amazon Best Sellers Rank:

#164,593 in Books (See Top 100 in Books)

This was such an odd book. I started it a few months ago and had to put it aside as it simply didn’t engage me. Then, having finished another of Atkinson's books (When Will There Be Good News) and not wanting to move away from her writing, I picked this one up again, started from the beginning once more, and couldn't put it down.Ostensibly the story of Isobel Fairfax, a young British woman who at an early age, along with her unattractive younger brother, Charles, "loses" her mother. Unlike Charles, Isobel appears to have the ability to slip through time, back to the Elizabethan period, and thus her life becomes this peculiar negotiation of time, space and people. Though the novel has this magic realist/mystical element it’s also a coming-of-age-story, a tale of familial and suburban dysfunction, murder, disappearances, secrets and lies, and an exploration of the ties that bind and tear us apart. The novel takes the reader on a remarkable journey through Isobel's childhood, adolescence and that of her parents and forebears, exposing warts, flaws, mistakes, triumphs and tragedies.Capturing the essence of the 1960s as well as war-time London, the characteristics of class, neighborhoods and the passion and heartbreak of relationships of all kind, this pseudo and quite dark fairy-tale is remarkable. Moving, haunting, at times funny, always strange and yet familiar, the novel shifts points of view from first to third person and a cocky omniscient narrator who through Isobel also functions like a Greek chorus, or a Shakespearian player setting the scene and passing commentary upon what unfolds. The book plays with reader expectations, genre, the notion of secrets, and in doing so examines the minutiae of the everyday, and explores the adult world from a child's point of view and vice versa.All the world and time is Atkinson's stage, and this is certainly an ambitious and clever novel that offers alternative readings of not only scenes, but characters' interpretations of events. What the reader accepts is up to her or him, but nothing is predictable.The prose is simply lovely and some of the ideas expressed are timeless and erudite and have you reaching for a highlighter in order to recall them. This story won't appeal to everyone, and it’s very different in so many ways from Atkinson’s other books, but if you cast aside expectations and go for the ride, it's one you won't forget in a hurry.

After reading my third Kate Atkinson book (her second), it’s now official – Kate Atkinson is my new favorite author. These stories are so rich, so bizarre, so unique, so sad, and yet so hilarious. I found myself wanting to have a pencil and paper handy to jot down many of the humorous quips that seem to flow so effortlessly from her pen. Maybe next time.There are many similar elements between this book and her first, Scenes From a Museum. The story is undoubtedly “British”, features a multitude of characters, is told across multiple generations, and is not a particularly happy read. Actually, the story is a joy, it’s just the predicaments the characters are in are less than ideal.The story revolves around Isobel. She’s about seventeen, rather unattractive, and living sometime in the late 1950s. She lives with her brother Charles and her father Gordon in a house owned by Gordon’s mom, known mainly as “the widow”. Of course, by the time we’re introduced to these characters, “the widow” as already died. But, there are couple of other relatives in the house along with a border who is some sort of traveling salesman. Note there is no Mom. It seems Mom left the family many years ago when Isobel and Charles were very young. There is a step mother, however. Not that this really matters to the kids. Isobel doesn’t have too happy of an existence. The bulk of this story revolves around Isobel’s yearning for her mother. Who was she? Where is she now? Why did she leave us? Most of the grownups don’t care to talk about her mother. Her name is/was Eliza.What author Kate Atkinson does so well in her books, is she moves around in time so we know more of the “whole story”. We’re taken back to when Eliza and Gordon were married and “the widow” was still alive. It is often said that young marrieds shouldn’t live in their mother/mother-in-law’s house. This story is a perfect illustration as to why. So we see the young family along with all the trials and tribulations. We see how/why Eliza left. We’re not surprised. After Eliza leaves, Gordon (the dad) leaves as well. I won’t go into why, nor how, but it seems he might be gone for good as well. So young Isobel and Charles now live with “the widow” and their morbid Aunt Ginny. Talk about a miserable existence. This was the one area of the book where the humor, unfortunately, didn’t quite cover the sadness I was feeling for the children.“The widow” and Aunt Ginny aren’t fun people to be around. I remember one exchange:Eliza: Why don’t we ever have fun in this family?Ginny: “Fun” don’t get the wash done!The family in this story are actual descendants from a clan known as “The Fairfax” family. Author Kate Atkinson begins the book telling the long, sordid history of this clan from centuries ago. It seems as though this family is rather cursed. Not surprisingly, by the time we meet the modern day characters, the curse has not been lifted by any means.I only mention this because there are parts of the book where Isobel experiences strange, out-of-body, and time-travel episodes. They’re small, brief interludes, and we’re inclined to ask “Were these real? Or is Isobel losing her marbles?” There are even episodes where Isobel lives the same day over and over again a few times – each radically different, but each with less than desirable outcomes. Ultimately, the story is so well told that you don’t really care whether these events are real (i.e. existing in some parallel universe) or the result of a bizarre hallucination. I can see where many authors might seriously bumble episodes such as this, yet with Atkinson, everything runs very smoothly, and the fact that these events may or may not have happened is mostly irrelevant.On a final note, there actually is a game called Human Croquet. It’s mostly played like the standard game, only using humans instead of balls that are whacked through hoops, run into each other, and cause destinies to be unfurled in ways unexpected. This book, nor this author, is for everyone, but I imagine many, like myself, would simply love this story.

Because I am a huge fan of Kate Atkinson I decided to read some of her very early work. It was disappointing, especially in comparison with her excellent recent novels. The language was forced for the young characters and the story was sort of hidden beneath it. It shows an interest in time distortion which will come to full fruition in "Life After Life", but it really didn't hold my attention.

Set in the 1960's in the town of Lythe in England, the tale focuses around a girl, Isobel, at the time of her 16th birthday. However, the story travels throughout history at this location, venturing back and forth as pieces of the puzzle of Isobel's past are unveiled. Isobel has found that she slips in time, seeing past events that are all somehow connected to her life. Her mother left their family while she was young, and as we find out, their father abandoned Isobel and her brother Charlie not long after, leaving them in the care of his mother and sister, until finally returning with a new wife. It is clear that the Fairfax family is in decline, and a history shows how they have fallen over time. It is clear that in addition to her family, some of her neighbors also have dark secrets. The truths once discovered are ugly and at times sad, and are mixed with Isobel maturing into a young lady along with some of the conventional horrors of the teenage years, particularly when she relives a particularly traumatic day, each time with a different ending. This book crosses genres, with elements of science fiction (time travel), mystery/suspense, history, and a coming of age story. There is also an underlying theme of Shakespeare and the Forest of Arden. This was an unusual and complex tale with an intriguing approach to storytelling.

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